Having seen and reviewed the most recent film in the Marvel Cinematic Universe, Ant-Man and the Wasp, it’s time to do a ranking of all twenty MCU movies, from worst to best. I did a similar thing over at Cultured Vultures (my answers are actually a little different over there), picking out my top five at the time, but my editor thought doing all of them may be a bit much.
Luckily, no such rules exist on this blog! Let’s get into it:
The reason writing a post like this can be fun is because between when I first watched the film and the present day, my opinions can change substantially, as you may notice further down the list. Unfortunately for Thor: The Dark World, no such change has happened. It’s still pretty bad.
Thor is one of my favourite Marvel characters, so after loving the first film and Avengers, I was very excited for his second solo outing. Needless to say, I was disappointed. While there are some touching emotional moments, the majority of this film is bland, messy and has perhaps the worst villain in the MCU. No offence Christopher Eccleston, I still love you.
19. IRON MAN 2
Another strong contender for worst movie in the MCU. While not terrible, Iron Man 2, like Thor: The Dark World, is similar in that it tries to do too much (more, in fact, than Thor) and the end result is a bloated mess.
However, considering this is a film featuring the MCU’s original quipster and the character that launched the whole franchise, it’s main fault is that it’s actually quite boring. Sure, you have that big explosive fight at the end, but considering what this film is trying to achieve, it ironically ends up being all style, no substance.
Harsh? Maybe. But Ant-Man and the Wasp just hasn’t clicked for me like it has other people. When I’m watching a superhero/comedy film (like Deadpool) and I can count the times I’d laughed throughout with minimal effort (like Deadpool 2) then that’s a pretty bad sign, and unfortunately that was also the case here.
Furthermore, the mass of writers who all seemingly wanted different things means that this film, despite having the chance to be the vision of one director, struggles to be one interesting and cohesive narrative.