I got up this morning to go and watch Avengers: Endgame a second time. After working the midnight release, and checking the screens, I continued to notice little things that I wanted to experience again – so with today being my day off, I went back to the cinema for a rewatch.
With that in mind, I’m going to discuss the film in full. However, it will be exceptionally spoiler heavy, so if you haven’t seen the film yet, do not read this review. Don’t click ‘read more’. Don’t even look at the tags. Go watch this movie. But if you’re needing something to read, my original review can be found here.
RELEASED: April 25th 2019 DIRECTED BY: Joe & Anthony Russo WRITTEN BY: Christopher Markus & Stephen McFeely PRODUCED BY: Kevin Feige MUSIC BY: Alan Silvestri STARRING: Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Don Cheadle, Paul Rudd, Karen Gillan, Bradley Cooper, Gwyneth Paltrow, Brie Larson & Josh Brolin
When I walked out of the screening of Avengers: Endgame on Tuesday night, I was conflicted. I knew what I had watched was good, and I enjoyed a lot of it, but something didn’t sit right with me. I’ll probably have to watch the movie again (at which point I’ll amend anything in here that’s off) and I may even do a spoiler review at that point, but here are my initial thoughts…
Avengers: Endgame sees a world where the bad guys won. After snapping his fingers and wiping out half the life in the universe, Thanos has retreated to a distant planet to live out his days, while the Avengers are left on Earth to pick up the pieces. But after discovering Thanos’ location, the Avengers reunite and decide to take one last shot at retrieving the Infinity Stones and bringing the fallen back to life.
I had a fairly decent sense of how this movie was going to play out. Between set photos I’d seen a year or two ago, and the trailers (which show even less of the movie than you’d think) I had a reasonably good idea of what the various beats of this film would be.
And while I wasn’t wrong, I think for most this film will hold a lot of surprises. The first ten minutes quickly let you know that things aren’t going to go the way you think, before the movie proceeds to do a hard right turn into ‘bonkers’ territory. The tone is a lot more upbeat and goofy than what the trailers promised, and at times, that can be a bit jarring when compared to the expectations you enter the cinema with (that’s not the fault of the film-makers of course, so much as it is the audience and marketing). There’s a lot of humour, and from some characters, in particular, it can seem like a little much.
But there’s also a lot of heart. This film is a very emotional journey, but unfortunately, for me, on first viewing – not all of it resonated. There are some pretty big hits, and I was watching them knowing I was meant to be feeling more than I was (or at least something) and coming up short. Maybe that was down to the offbeat tone. Or maybe I’m just soulless. We’ll see after I’ve watched the film again.
However, in spite of both that and the fact we all know Spider-Man: Far From Home is coming out in a few short months, and the MCU will continue, this very much does feel like the end of the story, regardless of whether or not all these ends resonate with you. Marvel Studios could just stop here, and the series, as a whole, would work. There’s not a lot in the way of set-up for the future, just a focus on making sure what’s on the table now is taken to the wholesome destination it needs to go.
In this regard, praise should be heaped upon screenwriters Christopher Markus and Stephen McFeely. Here, they’ve managed to write a three-hour movie, full of fan-service and pay-off, and yet at no point does it feel like a drag, nor overly rushed. The character work is generally quite strong, with every character getting their time in the spotlight. Along with the directors, they’ve managed to make a movie that’s both breezy and epic, yet without being as action-packed as it’s predecessor. Instead, it’s filled with love for these characters and a desire to tell a very different sort of story to what’s come before.
But when the action does come around, it’s great. Although I felt a bit conflicted about the film as a whole, one thing that I am 100% certain on is that the action is fantastic. In particular, there’s one particular one-on-one fight that continues to display the excellent choreography on the Russo brothers’ previous films, and there’s one particular sequence later in the film that’s even more spectacular than ‘the airport scene’. I’ve seen someone describe it as something like ‘the most epic superhero battle of all time’. They’re not wrong.
Overall, this isn’t the best Marvel film of the lot. In my opinion, it doesn’t quite reach the heights of Winter Soldier, Civil War or Infinity War. But maybe that’s not the point. It’s like watching a TV series. The penultimate episode is usually the most exciting – the one where the stakes are the highest. The final episode, in contrast, is more about closing things out in a satisfying way. And in that respect, I’d say Endgame succeeds.
However, I also feel like this is a similar feeling to how I felt about The Last Jedi. At first, there was a sense of melancholy (maybe I’m just depressed about the fates of some characters and I haven’t realised?), but as I continued to think about all the various factors in the film, the more I grew to love it. This is a very dense film, and I’m still processing it the next day, and for every “**** bothered me a bit“, there are five more instances of “but I loved it when ***** did *****“. But I’m confident with each subsequent rewatch I’ll grow to love it even more.
Due to my uncertainty about the film, my rating can be found on my spoiler review.
RELEASED: July 6th 2018 DIRECTED BY: Peyton Reed WRITTEN BY: Chris McKenna, Erik Sommers, Andrew Barrer, Gabriel Ferrari & Paul Rudd PRODUCED BY: Kevin Feige & Stephen Broussard MUSIC BY: Christophe Beck
STARRING: Paul Rudd, Evangeline Lilly, Michael Douglas, Michael Peña, Walton Goggins, Hannah John-Kamen, Abby Ryder Fortsen, Randall Park, Laurence Fishburne & Michelle Pfieffer
Hilarious. Innovative. Exciting. These are words I would expect to be using to describe an Ant-Man sequel free of the constraints laid upon it by a change of director a long way into the development process, and an Ant-Man sequel coming eight films later in the monumental Marvel Cinematic Universe.
Unfortunately, the reality is that a lot of this film is flat, disjointed and oft times only mildly amusing.
This post was originally published on my other site, NewToComics.com, but has been moved back to fit in with my MCU review series – if you’re a fan of (or want to be a fan of) comic-books, check it out!
Is this my new favourite film? It may just be.
RELEASED: 6th May 2016 DIRECTED BY: Anthony & Joe Russo WRITTEN BY: Christopher Marcus & Stephen McFeely PRODUCED BY: Kevin Feige MUSIC BY: Henry Jackman STARRING: Chris Evans, Robert Downey, Jr., Scarlett Johansson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Paul Rudd, Emily VanCamp, Tom Holland, Martin Freeman, Frank Grillo, Daniel Brühl and William Hurt
It’s been ten years since the MCU began with Iron Man. In those nine years, super-hero films have become a more common occurrence than ever before. Each film is released to varying success; for many, myself included, BvS was a low point, whilst other films, like The Avengers hit a high.
And then there’s Captain America: Civil War. By the time Civil War had been out for fifteen hours here in the United Kingdom, I’d already seen it twice. That alone should tell you where I stand on the film.
But here’s a little more detail anyway:
After the devastating battles of The Avengers, The Winter Soldier, Age of Ultron and the opening scenes of this very film, the governments of the world have had enough. The Sokovia Accords are passed; they decree that the Avengers must answer to the United Nations; they will be regulated, and can only go into action when the U.N. says so.
Steve Rogers, obviously sceptical of government oversight after the events of The Winter Soldier, opposes the new law. Meanwhile, Tony Stark, who feels guilt over creating Ultron, backs it. Things are further complicated when Steve’s best friend, Bucky, is implicated in the death of King T’Chakka of Wakanda. Refusing to sign the Sokovia Accords, but desperate to prove his friends innocence, Steve must work outside the law to do what he thinks is right.
