Marvel’s Infinity Saga comes to a close this week with Spider-Man: Far From Home. That means, once again, it’s time to rank all the movies in the Marvel Cinematic Universe, from worst to best.
I originally wrote this post last year, however, as I mentioned last time, opinions change, and new films come out, so this time around, some films are in a different spot, and four new films have been added to the list.
That’s right, not three, four – I’m also throwing Venom into the mix, due to the fact Sony clearly want it to be a part of the MCU, and there have been a fair few rumours and speculative articles as of late regarding a potential Spider-Man/Venom crossover. God help us.
If you’re not caught up, there will be the occasional spoiler for these films, however, the one from Spider-Man: Far From Home isn’t major, in my opinion, and is something that people with knowledge of Spider-Man will probably already know.
*After rewatching Spider-Man: Far From Home I’ve altered the list to reflect my feelings on the newest Marvel movie.
The first time I watched season six of Game of Thrones, I enjoyed it, but my mind was also distracted by wondering when the array of spoilers I had heard over the years would come to fruition. Then, I promptly moved on to season seven, and my recollection of events started to blur when it came to writing my review.
However, I’ve now rewatched season six, and with events fresh in my mind, I’m ready to go! Like my season four review, this review will also drop one fairly major spoiler because once again, it happens at the start and you can’t really discuss the various heroes’ journey’s without acknowledging it.
RELEASED: April 24th 2016 – June 26th 2016 SHOWRUNNER: David Benioff & D. B. Weiss WRITTEN BY: David Benioff, D. B. Weiss, Dave Hill & Bryan Cogman DIRECTED BY: Jeremy Podeswa, Daniel Sackheim, Jack Bender, Mark Mylod & Miguel Sapochnik MUSIC BY: Ramin Djawadi STARRING: Peter Dinklage, Nikolaj Coster-Waldau, Lena Headey, Emilia Clarke, Kit Harrington, Liam Cunningham, Carice van Houten, Natalie Dormer, Indira Varma, Sophie Turner, Maisie Williams, Conleth Hill, Alfie Allen, Gwendoline Christie, Jonathan Pryce, Michiel Huisman, Michael McElhatton, Iwan Rheon, Iain Glen, Nathalie Emmanuel, Kristofer Hivju, Tom Wlaschiha, Dean-Charles Chapman, Isaac Hempstead Wright, John Bradley, Hannah Murray, Aidan Gillen, Rory McCann & Jerome Flynn
One of my coworkers has repeatedly told me she believes season six to be the best season of the show, due to the fact that while all the seasons have their highlights, season six maintains consistently high quality. Whether that is true or not we’ll explore now.
In season six, Game of Thrones finally reaches the point where it overtakes the story laid out in the books of George R.R. Martin’s A Song of Ice and Fire, crafting its own original story using Martin’s notes and some details from previous novels. Daenerys Targaryen‘s time in Essos comes to a violent end, as she finds herself facing off against both the Dothraki Hordes in full, as well the Masters of Yunkai and Astapor, in response to her volatile rule of Slavers Bay. In her absence from the city of Mereen, Tyrion Lannister and Varys struggle to rule in her stead, with enemies appearing on all sides. Elsewhere, Arya Stark returns to the House of Black and White, and is given a second chance to align with the ‘Faceless Men’.
Meanwhile, across the Narrow Sea, Cersei Lannister makes a power play to take out her enemies, and the Iron Islands are rocked as Balon Greyjoy‘s death leads to a struggle for the Salt Throne. To the North, the remaining members of House Stark* reunite to face off against House Bolton for control of Winterfell, as a new ‘King in the North’ is crowned.
RELEASED: July 6th 2018 DIRECTED BY: Peyton Reed WRITTEN BY: Chris McKenna, Erik Sommers, Andrew Barrer, Gabriel Ferrari & Paul Rudd PRODUCED BY: Kevin Feige & Stephen Broussard MUSIC BY: Christophe Beck
STARRING: Paul Rudd, Evangeline Lilly, Michael Douglas, Michael Peña, Walton Goggins, Hannah John-Kamen, Abby Ryder Fortsen, Randall Park, Laurence Fishburne & Michelle Pfieffer
Hilarious. Innovative. Exciting. These are words I would expect to be using to describe an Ant-Man sequel free of the constraints laid upon it by a change of director a long way into the development process, and an Ant-Man sequel coming eight films later in the monumental Marvel Cinematic Universe.
Unfortunately, the reality is that a lot of this film is flat, disjointed and oft times only mildly amusing.